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Finding a venue

Discover how to find the best venue for your show at the Edinburgh Festival Fringe.

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Finding a venue is the first step to bringing a show to the Fringe. It's a big task, but we are here to help.

Remember, you must have a venue contract in place before you can register your show with us.

The Artist Services team are here to help. Our policy of impartiality means we can't recommend one venue over another but we can help you work out what will be best for your show and how to approach venue managers.

Available venue slots

In the run-up to the Fringe, venue operators can let us know of any remaining slots left in their programming that may be available to artists still looking for a venue. We include details of those slots on this page.

If you have any questions about this, or you are a venue operator and would like to include your listing there, please get in touch on artists@edfringe.com.

Choosing a venue for your online show

Most venues that operate in the Fringe do a lot for the companies they work with, beyond just providing a physical space. For example, having your show be part of a programme of work, at a venue with an existing audience, media connections and marketing strategy, can be advantageous in getting your work seen.

With that in mind, if you are bringing an online show to the festival, we recommend researching which existing Fringe venues that host online work would be the best fit for your show.

Venue search tool

Once you know what kind of venue you are looking for, use our venue search tool to filter a directory of all Fringe venues, including contact information.

Gather a selection of venues to approach, then get in touch with them.

Fringe venue search tool

Venue checklist

Once you have chosen some venues to approach, work through our checklist to ensure you're dealing with a venue that meets your show’s requirements. If you have any doubts about your venue agreement, contact us and we can talk it through.

Show practicalities

  • Check which performance dates and times are available and in what spaces.
  • Is rehearsal time included as part of your rental?
  • Can the venue manager change your performance slot (including showtime and location) without consent?
  • What is the timeframe for daily get-ins and get-outs?
  • Will you be penalised if you overrun your performance time?
  • Will you be told about penalties as you go or will they be added to your final costs at the end of the run?

Technical

  • What equipment and facilities (for lighting, sound) are available onsite? Are they included in the rental cost?
  • Get all the details of the space, including photos if available. Ask for a seating chart and make sure sightlines are appropriate for your show.
  • Are technical staff on hand for sound and lighting during performances or is it up to your company to arrange? Check the experience levels of any staff provided.

Legal

  • What is the venue's insurance coverage?
  • Does your show need to hold public liability insurance (see insurance & legal)?
  • Is it worth adding an indemnity clause that allocates the risk to each party? While it is common for the venue to be indemnified against claims or losses arising out of your use of the space, take care that only those costs directly related to a claim or loss can be deducted from your box office takings.
  • Make sure your venue has an appropriate licence from the City of Edinburgh Council – if not, who will administer it and when? Is the venue complying with all health and safety, insurance and legal regulations?
  • Your contract should state the venue’s name and registered address as well as a jurisdictional statement (e.g. this agreement shall be governed under Scottish Law).
  • What are you (the company) responsible for? Usually the venue will have a list of requirements for you to meet. These may include:
    • Assurances that you have the correct copyright permissions to perform your work.
    • That all company members (including children) are legally allowed to perform in the UK.
    • That you will acquire all the rights for your music use and pay any applicable fees.
    • That you have adequate insurance.
    • That your set and props are fireproof and your electrical equipment is safe.
    • That you will not damage the property.
    • That you will take all your belongings with you at the end of the run.
  • Check if the venue has any policies or procedures that you need to agree to and make sure you obtain and read all documentation.

Financial and ticketing

  • Does the venue run its own box office and what are the associated costs (e.g. if there is an additional charge for printing tickets)?
  • If there is a commission taken on ticket sales or a fee for credit cards, when and how is this incorporated into the fee structure?
  • What is the date of box office payout and is this included in the contract?
  • Verify your right to have all financial records and accounts audited to check the accuracy of income and expenditure figures.
  • Where, when and to whom is the money from the Fringe Box Office takings being transferred?
  • Are there other revenues that performers will receive, such as a cut of bar sales, proceeds from the sale of a programme, etc?
  • Are there additional venue services, like telephone, internet or bar, available for your company’s use? Is the cost of these added into your rental fee in a fair and transparent manner?
  • Are there any other hidden costs such as utility charges, use of administrative facilities, etc?
  • Find out what charges are liable to VAT (20%).

Cancellation

  • What happens in the event of a cancellation - either on your own part or the venue’s?
  • What is the timeline for advance notice and any monetary penalties?
  • Scrutinise the conditions for cancellation closely and make sure that the venue can’t cancel a performance without reimbursement of box office monies.

Marketing

  • Some venues run press offices of varying sizes. Find out about the scope of services on offer and ask whether there is a cost.
  • What, if anything, does the venue provide in the way of marketing services?
  • Does it produce its own programme and is there an additional fee for your show to be included?
  • Who has editorial control?

Other venue resources

Information on working at venues, including our best practice guidance and a list of the venues that have signed up to it, can be found on our webpage: working and volunteering at the Fringe.

We also provide guidance on running a venue at the Fringe.